Some thoughts on ‘being known for being known’
and what it means to the freedom movement

This definition of celebrity—being known for being known—is pretty close to a quote from a an interesting piece I read from a Web article by Daniel Epstein published a couple of years ago in The Weekly Standard of all places[1]. Actually, Epstein was quoting Daniel Boorstin from The Image: Or What Happened to the American Dream: “The celebrity,” Boorstin wrote, “is a person who is well-known for his well-knownness.”[2]

Epstein continues by making a distinction between fame and celebrity: fame being based more on actual achievement, while celebrity especially recently become more the art of being paid attention to by large numbers of people on television regardless of any personal noteworthiness. Probably the most classic example is Brian “Kato” Kaelin, the house guest of OJ Simpson. The Kaelin persona reminds me of the Woody Allen movie, Zelig, in which a nondescript man seeks to blend in and dissemble as if he were one of the famous people himself. Continue reading →

Woody Allen’s crowning achievement ___ 10/10
Review by Brian Wright

Directed by Woody Allen
Written by Woody Allen

Adriana: I can never decide whether Paris is more beautiful by day or by night.
Gil: No, you can’t, you couldn’t pick one. I mean I can give you a checkmate argument for each side. You know, I sometimes think, how is anyone ever gonna come up with a book, or a painting, or a symphony, or a sculpture that can compete with a great city. You can’t. Because you look around and every street, every boulevard, is its own special art form and when you think that in the cold, violent, meaningless universe that Paris exists, these lights, I mean come on, there’s nothing happening on Jupiter or Neptune, but from way out in space you can see these lights, the cafés, people drinking and singing. For all we know, Paris is the hottest spot in the universe. Continue reading →