Insider look at harsh high world of fashion
On the face of it, you wouldn’t think a movie about the cutthroat, glamorous world of high fashion—specifically the relationship between the domineering editor of New York’s premier fashion magazine (Miranda Priestly played by Meryl Streep) and her second assistant, a standout journalism graduate from Northwestern (Andrea Sachs played by Anne Hathaway)—would appeal to “guys.” Devil has chick flick buttoned all over it.
But think again. It’s quite the treasure of a movie for all, particularly in the performance of Ms. Streep, who brings to life the boss in extremis we all love to hate. And truth be told, the movie is a mainly vehicle for displaying the essence of great acting. You can almost make the case, as with the Rachmaninoff 3d piano concerto or some Jack Nicholson movies, that the virtuoso performance is what makes the piece the piece.
The plot is derived from the popular book by Lauren Weisberger which was a New York Times best-seller for six months and published in 27 countries. Andrea (Andy) Sachs represents the author’s own struggles to “make it there” in New York; she seeks a journalism career via jobs that move her forward. She interviews with Miranda Priestly for a second-assistant job at Runway and, surprisingly, lands it. Continue reading
A Tour de Force by Eastwood, Streep __ 9/10
Francesca: Robert, please. You don’t understand, no-one does. When a woman makes the choice to marry, to have children; in one way her life begins but in another way it stops. You build a life of details. You become a mother, a wife and you stop and stay steady so that your children can move. And when they leave they take your life of details with them. And then you’re expected move again only you don’t remember what moves you because no-one has asked in so long. Not even yourself. You never in your life think that love like this can happen to you.
Robert Kincaid: But now that you have it…
Francesca: I want to keep it forever. I want to love you the way I do now the rest of my life. Don’t you understand… we’ll lose it if we leave. I can’t make an entire life disappear to start a new one. All I can do is try to hold onto to both. Help me. Help me not lose loving you. Continue reading
Enchanting parallel-universe concoction __ 10/10
Paul Child: [to Julia] You are the butter to my bread, you are the breath to my life.
[later echoed by Julie Powell to Eric Powell]
Unfortunately, the quotes section on IMDb for this movie is nowhere near adequate to some of the marvelous lines coming from nearly every actor, on nearly all the significant occasions in the lives of the principal characters. And for that, whoever is responsible for such things, the person should be unproud. In any event, what a lovely and outstanding movie, that draws you in and causes you to fall in love with not only the celebrated Ms. Child, but the “servantless American cook” Julie Powell… even their respective husbands, a friend here and there, and one or two family members. Continue reading