Movie Review: The China Syndrome (1979)

The China Syndrome ___ 10/10
Precautionary, thrilling Hollywood tale

[Originally reviewed on the Coffee Coaster: 5/11/2007]

Written by Mike Gray and T.S. Cook
Directed by James Bridges

Jane Fonda … Kimberly Wells
Jack Lemmon … Jack Godell
Michael Douglas … Richard Adams
Wilford Brimley … Ted Spindler

Trying to stay with sort of a weekly theme, I cast about for environmental movies outside of Al Gore’s documentary.  During my read of the book for this week, The Weather Makers, I discovered a few notable scientists—chiefly James Lovelock (author of the Gaia concept)—argue for nuclear energy as a the only realistic means for escaping the global warming conundrum.

Needless to say, Lovelock has many critics.  Certainly his nuke hypothesis is reasonable, especially with the advent of fail-safe pebble-bed reactors.  But I think most environmentalists see renewables (solar, wind) and other methods (biomass) as fully capable of replacing carbon-intensive sources.

At any rate, one movie that offers a warning, at least on the current “fail-deadly” technology of nuclear power, while at the same time providing top-notch entertainment value is The China Syndrome.  In a profound case of life imitating art, the Three Mile Island partial core meltdown occurred 12 days after the US release date (March 16, 1979).[1]

The plot centers around Kimberly Wells (a very young, and hot Jane Fonda) an LA TV news reporter, who feels stuck doing ridiculous human-interest fare.  In her features capacity, she gets a chance to travel to the (fictional) Ventana Nuclear Power Plant to perform what amounts to a puff piece on local atomic energy. Continue reading

Movie Review: V for Vendetta (2005)

Inspirational classic (to be) on social justice 10/10
Reviewed by Brian R. Wright [original review 20070622]

Screenplay by Andy Wachowski,
Larry Wachowski
Directed by James McTeigue

Natalie Portman … Evey
Hugo Weaving … V
Stephen Rea … Finch
Stephen Fry … Deitrich
John Hurt … Adam Sutler

People should not be afraid of their governments; governments should be afraid of their people.—V

Editor’s Note 7/4/2018 — There is none higher for an Independence Day moviethon; I also recommend Last of the Mohicans and a fair number of the other movies I review.

Editor’s Note 4/4/2011— I’m using V for Vendetta in lieu of my regular column this week. Every time I view the movie, I get more out of it. Pick up little statements or nuances missed the previous time. For example, on this most recent occasion (yesterday) it dawned on me how close American society is approaching the police state methods of this fictional theocratic-fascist England of the future: black bags, beatings, SWAT teams with benign mottos, warrantless searches, breaking down doors, hauling people away without trial never to be seen again, the complicit media, and the docile, cowering population. I wish for a real V to right these wrongs and fight for justice, free the political prisoners. Growing impatient am I for the restoration of the Republic. [Note, it also occurs to me how parallel the fictional government’s intentional killing of its own citizens was to our own government’s orchestration of the self-murderous 9/11 attacks.] — bw

In the early days of Free State existence we were all excited by the Wachowski brothers (The Matrix) next cinematic innovation. What better to follow a work of sci-fi Kung Foo mysticism than a work of sci-fi swashbuckling libertarian justice. (I include a passage on our night to out to see V in Merrimack, in my book New Pilgrim Chronicles.) Continue reading

Movie Review: National Bird (2017)

They hate us because we blow all to hell their men, women, and children
Reviewed by Brian R. Wright

This film just fell into my lap one night as I was visiting a lady friend. She had downloaded it from PBS, where I believe you can watch it for free [Nope, the deal expired there]. I’m guessing it’s widely available on YouTube as well [Nope, as well. But trailers and clips are readily available and the full movie can be watched on your PC/TV for a $3.99 fee… extremely reasonable].

Basic Description per PBS:

National Bird follows the dramatic journey of three whistleblowers determined to break the silence around one of the most controversial issues of our time: the secret U.S. drone war, which has been waged globally for more than a decade. The film, executive produced by Errol Morris and Wim Wenders, gives rare insight into the program through the eyes of veterans and survivors, to explore the complexities of drone warfare from a human perspective.

“At the center of the film are three U.S. military veterans — Heather, Daniel, and Lisa. Plagued by guilt over participating in the killing of faceless people in foreign countries, each decides to speak out publicly, regardless of the consequences. Their stories take dramatic turns, leading one of them to Afghanistan, where she learns about a tragic incident involving drone warfare. But her journey also gives hope for peace and redemption.

National Bird explores the difficult circumstances faced by military personnel involved with combat drones, the use of which has transformed modern warfare. Missions are highly classified, and there are no official counts of military or civilian casualties. The need for operators and intelligence analysts is increasing, yet their experiences and perspectives have been largely neglected because of their distance from the battlefield. While it may be true that these veterans don’t sustain battlefield injuries, their psychological wounds can be substantial, leading some to suffer from post-traumatic stress disorder (PTSD).

“Pilots and analysts observe airstrikes live and in detail, including the aftermath, when survivors pick up human remains for burial. Yet due to the secrecy of their positions, they are prohibited from discussing the details of their experiences with anyone — even their psychiatrists. For some veterans these constraints are too much to handle.”

My Personal Reaction

Continue reading

Movie Review: Casino Royale (2006)

Casino Royale (2006)____7/10
Worthy heir to the Bond franchise

Directed by Martin Campbell

Selected Cast
Daniel Craig … James Bond
Judi Dench … M
Eva Green … Vesper Lynd
Giancarlo Giannini … Mathis
Mads Mikkelsen …. Le Chiffre

Casino Royale with the new James Bond (Daniel Craig) starts with an exhilarating chase scene in an African-port construction site.  Bond and his prey dance about the cranes and building columns like Spidermen or the swordsfolk of Crouching Tiger, Hidden Dragon.

If you’re afraid of heights, you may want to avoid these first full 15 minutes of death-defying jumps and rumbles on high steel.  The camera pans out over the ocean with these tiny men in the foreground shinnying up greasy cables, surrounded by empty space. I felt twinges of vertigo combined with fear of falling.

Craig is the most physical Bond we’ve seen, and the most capable of tough-man-competition-like violence.

You wonder if the new Bond is simply a glorified killing machine, until we get into the actual plot with a beautiful associate Vesper Lynd (Eva Braun) winning his affection. Continue reading

Movie Review: Advise and Consent (1962)

High-level fictional, US national politics intrigue
based on the book by Allen Drury

AdviseThis movie, though a worthy dramatic statement, will hit you mainly on levels of culture shock. It’s about the advise and consent of the US Senate to the appointment of a Secretary of State. The candidate is played by Henry Fonda, and despite the movie jacket suggesting his pivotal role, the actual candidate in the story is truly a secondary or tertiary character.

What I’m suggesting at the cultural level is how politics in Washington DC has changed between the early 1960s and the present day. Most striking to me is the relative power US senators carry between then and now. And I can express that difference in a single opening sequence of scenes: the majority leader of the Senate takes a taxi (hailed by the doorman) from his apartment complex to get to his office near the Capitol… and then rides to the chambers on what look like old Cushman electric golf carts.

They may still have some sort of shuttle carts, but I bet they sure don’t look like something a coolie would haul around town. Continue reading

Movie Review: Little Children (2006)

Little Children ___ 8/10
Odd, tragicomic tale of romantics
seeking love outside loveless marriages

Written by Todd Field and Tom Perrotta
Directed by Todd Field

Kate Winslet … Sarah Pierce
Patrick Wilson … Brad Adamson
Jennifer Connelly … Kathy Adamson
Gregg Edelman … Richard Pierce
Phyllis Somerville … May McGorvey
Jackie Earle Haley
… Ronnie J. McGorvey
Noah Emmerich … Larry Hedges
Jane Adams
… Sheila

This one slipped by me last year, though Kate Winslet and Jackie Earle Haley were up for Oscars for best actress and best supporting actor, respectively, and the writers were up for best screenplay.  It’s an odd movie for a number of reasons, but I found the voiceover narrative really funny, like one of those wild and crazy documentaries of the 50s:

“Bob becomes irritable when his golfing clubs are misplaced in the garage.”

“Nancy wishes her bottom were not so large as she walks to her normal sunbathing location on the beach.”

The story starts in a park where an impromptu frustrated-wives club has formed with Sarah Pierce (Winslet) as an overeducated, and somewhat reluctant member.  Sarah and the other young women gossip and watch over their handful of children.

The most titillating gossip is about a young house husband (Patrick Wilson as Brad Adamson) who brings his boy to the park as well.  Calling him the Prom King, the other women fantasize about this attractive guy who keeps to himself. Sarah doesn’t understand the fuss, and when the girls dare her to get his phone number she walks right up and makes introductions. Continue reading

Movie Review: A Few Good Men (1992)

A Few Good Men (1992)_____9/10
A morality play that hits on all cylinders

Written by Aaron Sorkin
Directed by Rob Reiner

Tom Cruise … Lt. Daniel Kaffee
Jack Nicholson … Col. Nathan R. Jessep
Demi Moore … Lt. Cdr. JoAnne Galloway
Kevin Bacon … Capt. Jack Ross
Kiefer Sutherland … Lt. Jonathan Kendrick
Kevin Pollak … Lt. Sam Weinberg
Wolfgang Bodison…Lance Cpl. Harold W. Dawson
James Marshall
… Pfc. Louden Downey
J.T. Walsh … Lt. Col. Matthew Andrew Markins

Harold, you don’t need to wear a patch on your arm to have honor.” — Lt. Daniel Kaffee

What’s special, or even topical, about this movie is it speaks to how military honor can be so readily suborned by the authoritarian impulse.  And second, how the same honest pride—not to mention competence—is necessary to bring such posturing would-be tyrants to justice.

No, I”m not going to launch into another angled criticism of the Bushoviks; but the facts are apropos: in the name of a notion of high-minded military protection the Cheney-Bush Oil Junta (CBOJ) performs criminal acts of the highest, deadliest, and most treasonable nature.

CBOJ’s acts are much worse in scale than what Colonel Nathan Jessep (Jack Nicholson in an Academy Award-winning role) is ultimately accused of, which is ordering a “Code Red” that winds up killing a Marine in his barracks on Guantanamo Bay, Cuba (Gitmo). But what he’s accused of is of the same essence, bred of the same perverse conceit of absolute power. Continue reading